I’ve been absent from the blog for a bit of time due to sheer work, but I’ve had a little time to myself and I’d like to take a moment to put my thoughts to paper with regards to something my wife and I were talking about the other night.

She’d mentioned that ever since she’d given birth to our (now 2 and a half year old ) little boy, I seem to have lost my enthusiasm for certain games that I long considered my specialties. Among these would be Mage: the Awakening and perhaps to a lesser extent games like Exalted.

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Still love this image, though

As with most things, she’s right. It was a strange phase in my gaming career as a GM where I couldn’t really get my head in the game. And it was only a few nights ago, over dinner that we were able to determine why.

I’m currently running two campaigns: an all-Scorpion Clan game of Legend of the Five Rings, and the stellar Masks of Nyarlathotep campaign for Call of Cthulhu. And in both of these, my wife felt that I was much more my old self. That got us thinking about why that was.

Ultimately, we settled on the fact that my outlook on life has been altered somewhat by the birth of our son. Before then, I was perfectly happy to run games that was full of darkness and vain hope. John Constantine’s Hellblazer was a big thing for me, and a part of me actually enjoyed the fact that the Exalts were doomed to repeat the mistakes of their past in Exalted.

It finally dawned on me as to what made playing these games (CoD, WoD, Scion and Exalted) so difficult now: The player characters are essentially their own worst enemy. Each one of the characters are fundamentally flawed to the point that they are doomed to sabotage their own efforts at finding happiness.

And I can’t subscribe to that mindset anymore.

But now that I’m caring for a little version of myself, I find it much for more difficult for me to get into that headspace. Instead, I’m gravitating towards games where the player character motives are ultimately better than those of the bad guys.

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Prettier too

So where does this leave me with regards to those other games then? Well, for now, they’ve earned their place on my shelf, and I’ve made many, many good memories from running Mage and Exalted. But that said, I think it’s time for me to retire them from my rotation for now, and focus on learning (and running) other games, like Modiphius’ stellar lineup of games like Star Trek Adventures, Conan and Achtung! Cthulhu.

I’m also looking into learning games I’ve skipped before during the haze that was my wife’s pregnancy and the first year of my son’s life. I’ve been reading up on 7th Sea in hopes of being able to run it, and Shadowrun 5th Edition has been something of a personal challenge to figure out.

In any case, all of this thinking has left me somewhat more optimistic. There’s a huge amount of RPGs out there that are worth checking out, and if anything I’ve found a new kind of freedom in this new state of mine.

Onward, and upward we go!

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Dinosaurs, time travel and weird science! With a combination like that, how could you possibly go wrong? Monte Cook Games’ latest Cypher System game, Predation has all three of these in crazy amounts, and author Shanna Germain tackles it with gleeful enthusiasm.

I’ve been lucky to have been given a Review Copy of the game, and I’m digging into it now to see if this will become my new favorite Cypher System setting.

In this series, we’ll be taking a look at the game, and see if it lives up to the hype. I appreciated Numenera and The Strange before, so I remain optimistic that Predation will be a great product that will appeal to anyone looking to fire lasers while riding bioengineered dinosaurs.

So, what are we in for? Let’s take a look at the marketing blurb:

Welcome to the Cretaceous. Our ancestors won’t climb down from the trees for another 66 million years, but here we are now. Time travel seemed like a good idea. Exploring the ancient world. Building. Creating an entire society here in the jungles of our primordial Earth. Until those SATI guys messed it all up.

We’ve got gear. We’ve got guns. We’ve even bioengineered a few dinos to our liking. And that’s good, because we’ll need it all to survive. History says there’s an asteroid headed our way, and there’s no one left alive who knows how to get back to the future.

Welp. Certainly sounds like a crazy time (and place) but I do like the fact that there’s already a self-imposed apocalypse in place in the form of said asteroid impact.

SATI

Thankfully the opening chapters of the book tell us exactly what SATI is. An international conglomerate, Space and Time, Intg. sent a group of bioengineers and paleontologists and other specialists back to the late Cretaceous period on top-secret missions.

The problem was, that within a decade, something went terribly wrong, and the time-travel process broke down, leaving the commuters (as they were called) stranded in time.

Now (or Then, but you get the picture)

That was a hundred years ago. The early commuters had to survive, and so they adapted to the harsh world, using their sciences to build communities, breed bioengineered dinosaurs, raised families and tried to find a way to get back home.

But with so much time passing, a new generation of humanity is coming to take over. Those born in this era, never having belonged to the future. This is home to them, and it is among them that your characters belong.

It’s quite a setup for a game, and I’m honestly intrigued. I’m hoping that Predation is able to do something new with the Cypher System, and isn’t just a reskin of Numenera. There’s a lot of promise to the setting as is, and I’m hopeful that we’ll be in for quite an adventure.

If you’re looking to join in and study along, you can grab a PDF of Predation over a DriveThruRPG for only $17.99!


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For games like Star Trek Adventures that are based on very well-established, and well-loved settings, it’s important to be able to have a solid GMing chapter that can guide even the uninitiated Game Master into being able to run it in a way that feels authentic. As one of those GMs who only know Star Trek at a casual level, I fully understand how intimidating it is to try and take on a setting that has so much love (and some would say, fanaticism to it).

Fortunately, Star Trek Adventures has a hefty GMing chapter that knows how to guide someone to confidence.

Rather than dip into each of the sections and echo each of the advice provided, here’s a quick glance at the main sections of the chapter:

  • Running Star Trek Adventures
  • Character Creation
  • Managing the Rules
  • Player Characters
  • NPCs
  • Experience and Promotion
  • Creating Encounters
  • Creating Missions, NPCs, and locations.

Along the way the chapter goes into providing ideas on Styles of Play, and possible themes to center a Star Trek Adventures campaign around, from the classic “These are the voyages…” type of stories to something centered on a starbase like Deep Space 9.

Each of the mechanics are given an examination as to why they’re there and how to best use them. I found the section detailing challenges and how (and why!) they’re structured that way to be very useful.

My favorite section of the entire chapter is a quick look at Star Trek Adventures and what makes it different from other RPGs. I’ll add the quick quote of the two paragraphs here as it sums everything up beautifully:

Star Trek Adventures and indeed Star Trek can be a
markedly different experience from other examples of
both the roleplay gaming and science fiction genres.
Where most science fiction stories focus on conflict,
wars, aggressive aliens, and Humanity as heroes, Star
Trek can be seen, on the whole, to subvert those tropes,
leaning more towards a future in which understanding,
cooperation, exploration, and discovery is the focus and
driving force of the its stories. The opening sequence of
the original Star Trek series begins with Kirk explaining the
five-year mission of the Enterprise “to explore strange new
worlds, to seek out new life and new civilizations,” not for
war but for knowledge.

In that sense, Star Trek Adventures is not your usual
brand of roleplaying game, in which most time spent at
the table is engaged in armed conflict with monsters or
antagonistic races. Star Trek Adventures’ missions and
campaigns focus on exploration and discovery, with each
Player Character having a key role in supporting that
effort. This section will tell you, as the Gamemaster, how to
highlight those individual roles in a game on the frontier of
the Star Trek galaxy.

It pretty much summarizes what impressed me about Star Trek Adventures. All the sub-systems revolving around discovery, engineering, diplomacy are there because there was a deliberate design intent to craft a game around stuff in addition to combat.

No longer will non-combat tasks be simplified to just a single roll, players who take on the duties of a Scientist will actually be able to sink their teeth into something, and for all the complexity of the book, this is what made Star Trek Adventures impressive for me.

Aliens and Adversaries

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This section is the “Bestiary” section of the game and details a whole host of NPCs that a Starfleet crew can interact with. These feature about 3 different types of npcs: Minor, Notable and Major. The level of detail for each entry varies, with Minor being barely detailed beyond combat stats, to Major characters having full backstories and Values.

Here we see examples from:

  • United Federation of Planets
  • Klingon Empire
  • The Romulan Space Empire
  • Borg Collective
  • Ferengi Alliance
  • Cardassian Union
  • The Dominion
  • Alien Artefacts
  • Beasts of the Galaxy

Summary Review

*Sips iced tea*

Where do I even start? I knew of Star Trek before from some of the movies and a few of the original series and TNG episodes I’ve watched before, but I wasn’t really a fan. So when I got the preview pdf offer from Modiphius, I wasn’t certain I would understand the appeal of the game. But since I was sold on the 2d20 system from my experiences with Conan, I figured it can’t be that bad, right?

Fast forward to now and I’m practically gushing about the game mechanics to my long-suffering wife, who even now nods patiently in understanding while I type this out and she reads it over my shoulder.

Art and Layout

Fans of the aesthetic of Star Trek will find plenty to love here, with the layout mimicking the user interfaces of the ships. However, I have to admit that adjusting to reading white text on dark background on screen was a little difficult at times, and I found myself wishing for a black and white version for readability.

There are a few typos in my preview copy, but hopefully those will be dealt with by the time the final product rolls out in stores.

The artwork is pretty evocative, and I didn’t really cringe at any of them. The Starships are probably the highlight of it all, and I did find myself wondering why there weren’t any more images of Starfleet in more relaxed situations. There’s a lot of Starfleet guys running / shooting / dodging explosions, but you’d be surprised at how hard it was to find an image to go with the Social Conflict article.

Mechanics

This is a mechanics-heavy game that will take repeated exposure, careful reading and more than a few goofs to internalize. While the basic mechanics are easy enough to grasp, there’s a ton of subsystems to cater for different styles of play. GMs will have to spend a bit of time really studying the system to get the most of it. Hopefully this series of Let’s Study articles can help future GMs learn faster!

I found the ship combat to be pretty heavy, and I’ve yet to try it out to see how things turn out. It promises a lot of explosions and show-appropriate destruction, so I’m looking forward to it.

Review & Conclusions

Buy it.

If you can afford the collector’s edition, get that.

If you can afford the Borg Box, then by all means, get THAT.

Star Trek Adventures has made a fan out of me out of the sheer amount of love and care put into creating a game that delivers on the promise of playing through and experience that is true to the series. This isn’t D&D in space in Starfleet uniforms. Modiphius knows what it’s doing whenever it works with a licensed setting.

Every rule exists to enforce the physics and ethics of the setting. There’s not a sign of lazy game design anywhere here, with each rule and subsystem carefully considered before it was added to the final product.

My only concern, if any, would be the fact that it’s a big read with a fair amount of complexity. But if you’re willing to put in the time to go through it and understand the systems, you’ll see the elegance behind it.

At this point, I’m wrapping up my Let’s Study series on Star Trek Adventures. I hope that the entries have been helpful, and informative, and if you’d like to show me a bit of love, then please consider supporting me on Patreon.

If you’re interested in buying it on PDF, you can purchase a copy of Star Trek Adventures over at DriveThruRPG for only $15.56!

Thanks for reading everyone! See you all in the next series!


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Welcome to the third entry for Chapter 9, and we’ll be talking about Starship Creation in Star Trek Adventures

Starship Creation has the following steps:

  1. Service
  2. Spaceframe
  3. Mission Profile
  4. Refits

Service

This is the era in which the game is played, and is decided upon by the GM and players.

For the purposes of our example, we’ll choose Service year 2368

Spaceframe

A vessel’s spaceframe is its basic superstructure, core systems, operational infrastructure and all other elements that are common to every vessel of the same class.

The Players choose a single class for their starship, this will provide a collection of abilities that will serve as the baseline stats of the Starship: the ship’s base scores for Systems and Scale, three points towards Departments and what weapons are on board.

Some classes may even have Talents that represent upgrades universally applied to ships of that class.

We’ll be going for an Akira Class Spaceframe for this example. This grants us the following:

Systems: Comms 9, Computers 9, Engines 10, Sensors 9, Structure 11, Weapons 11
Departments: Security +2, Medicine +1

Scale: 5

Weaponry:
Phaser Arrays, Photon Torpedoes, Quantum Torpedoes, Tractor Beam (Strength 4)

Talents:
Ablative Armor, Extensive Shuttle Bays, Rapid-Fire Torpedo Launcher

Mission Profile

A ship’s Mission Profile distinguishes it from her other sister ships. It determines how the ship will be equipped, what facilities and personnel will be assigned to it, and what kind of operations it will be expected to perform.

For our Akira Class Starship, let’s go with Pathfinder and Reconnaissance Operations

This will give us the following Departments: Command 2, Conn 2, Security 2, Engineering 2, Science 2, Medicine 1

We also get to select a Talent, for which we’ll go with: Improved Warp Drive

Refits

Starships normally receive periodic refits and upgrades throughout their service. For every full ten years between the year the ship went into service and the current year of the game, the ship receives one Refit.

Given that for this example we’re going with the same year as the year the Akira Class went in service I guess this means I don’t get any Refits.

Putting It All Together

At this point we have our newly minted Akira Class Starship

Traits: Federation Vessel

Systems: Comms 9, Computers 9, Engines 10, Sensors 9, Structure 11, Weapons 11
Departments: Command 2, Conn 2, Security 4, Engineering 2, Science 2, Medicine 2

Scale: 5

Weaponry:
Phaser Arrays, Photon Torpedoes, Quantum Torpedoes, Tractor Beam (Strength 4)

Talents:
Ablative Armor, Extensive Shuttle Bays, Rapid-Fire Torpedo Launcher, Improved Warp Drive, Rugged Design

Resistance: 5
Shields: 15
Power: 10
Crew Support: 5

Shipboard Weaponry

Shipboard weapons come in 2 broad categories: Energy Weapons, and Torpedoes.

Energy Weapons

Energy Weapons project bolts or beams of focused energy or energized particles at a target. These weapons are fairly commonplace, with most cultures having some form or other of these as a typical armament of Spacecraft.

Making an attack with an energy weapon has a Difficulty of 2, and a Power Requirement of 1. An attacker may spend up to 2 additional Power to bolster an energy weapon’s attack, adding +1 [CD] to the damage of the attack for each Power spent.

The base damage rating of energy weapons is the Ship’s Scale plus Security.

Types

Each type of energy weapon differs by granting a single damage effect or quality to the weapon. Federation Starships always use phasers, but NPC ships can be armed with other kinds.

  • Phasers grant the Versatile 2 quality
  • Disruptors have the Vicious 1 quality
  • Phased Polaron Beam have the Piercing 2 Quality

Delivery Method

The delivery method of an energy weapon describes how the emitters are arranged, and how the weapon is set-up to fire. Each delivery method defines the Range category and provides some additional benefit.

  • Cannons have a Range category of Close, and increase the weapon’s damage by +2[CD]
  • Banks have a Range category of Medium and increase the weapon’s damage by +1[CD]
  • Arrays have a Range category of Medium and the attacking character may choose to grant Area or Spread effects to the attack.

Torpedoes

Self-propelled projectiles containing large volatile, energetic or explosive payloads, torpedoes are less precise but are extremely potent when used correctly. Making an attack with a Torpedo has a Difficulty of 3, but do not have a Power requirement.

Torpedoes are also potent enough to escalate conflicts, declaring an attack with a torpedo adds +1 to Threat.

Torpedoes may be fired in a salvo, which adds +3 to Threat but increases the attack’s damage by +1[CD] and grants the Spread effect to the attack.

Torpedoes have a base damage rating and adds [CD] equal to the the ship’s Security. All Torpedoes have a Range of Long.

  • Photon torpedoes have a base damage of 3[CD] with the High Yield Quality
  • Quantum torpedoes have a base damage of 4[CD] Vicious 1, with the Calibration and High Yield Qualities.
  • Plasma have a base damage of 3[CD] Persistent, with the Calibration Quality


Alien Vessels

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This section has the detailed statistics and special rules for the various Alien Vessels that your Starship are likely to run into. It’s an extensive collection of ships, and I’m glad they took the time to describe each vessel in terms of how it’s used by the particular race.

The special rules are a great way to showcase that these aren’t just another collection of stats. Already, I can sense the panic in my player characters at the thought of running into a Borg Cube.

For those curious, the ships featured in this section are:

 

Klingon Empire
– D7 Battle Cruiser
– K’vort Class Bird-of-Prey
– D’rel Class Bird-of-Prey
– Vor’cha Attack Cruiser

Romulan Star Empire
– Bird-of-Prey
– D’deridex Class Warbird

Cardassian Union
– Galor Class Cruiser

Dominion
– Jem’hadar Attack Ship
– Jem’hadar Battle Cruiser

Borg Collective
– Borg Sphere
– Borg Cube

Ferengi Alliance
– D’kora Class Marauder

The Maquis
– Maquis Raider
– Maquis Fighter

Okay, this chapter was a lot to chew through. Ship creation is easier than it looks, and I’m grateful for it. I’ve not had a chance to test out ship-to-ship combat, but it certainly looks exciting, and particularly deadly to poor members of the crew who might get caught in all the fires and explosions.

That said, you can’t fault Star Trek Adventures for being as thorough as possible with the Starship rules. It’s such an integral part of the Star Trek experience that it would have been harshly criticized if it didn’t dedicate so much effort into it.

Finally, our next post will be a look at the GMing chapter, with a peek at the NPCs, and the Sample adventure before we wrap up with a summary review of Star Trek Adventures!


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Welcome back!

We continue taking on Chapter 9 today with a look at the Starship Combat. I know I mentioned Starship Construction in my last entry, but this chapter is pretty heavy and I wanted to make sure there was breathing room between them.

Environment and Zones

Much like in Personal Combat, spacecraft positioning in Star Trek Adventures utilized Zones. Given the vastness of space, it helps to divide the space based on physical objects, spatial phenomena and other details in the area. Take note that Starship combat zones are also 3 dimensions, with zones above and below one another and empty zones to provide gaps between objects and phenomena.

Distances

Distances in Starship combat are similar to Personal Combat, with 4 categories and one state.

  • Contact is a state when an object or other Starship is touching the vessel. This is usually used mainly for ships docking with starbases and other facilities. Needless to say, unlike in Personal Combat, you won’t see that many ships going in a state of Contact in a fight as often.
  • Close range is defined as the zone that the vessel is currently occupying.
  • Medium range is defined as any adjacent zone to the vessel’s current zone.
  • Long range is defined as objects and vessels two zones away.
  • Extreme range is any vessels or objects beyond Long range.

Warp

Starships are capable of going to warp and traveling extremely quickly which means that they’re able to leave the vicinity of a battle at a moment’s notice.

To go to warp, whichever character is at the Helm must spend one or more Power, and attempt a Difficulty 0 Control + Conn Task, assisted by the Starship’s Engines + Conn. The Power determines how quickly the ship is moving. If the Task is successful, the ship immediately leaves the area, which will normally end the scene, though the enemy might decide to pursue. A ship may not spend more Power to go to warp than its Engine score.

Pursuing ships must spend more Power than the fleeing ship did.

Distances and Sensors

In ideal circumstances, Starships can scan and detect objects, vessels and phenomena over a certain size or magnitude for several light years away in every direction. The closer an object is, the more clarity and detail can be detected.

Movement and Terrain

Movement in Starship combat is the job of the Helmsman, and is typically a Difficulty 0 Task. Difficulty for movement can increase if the space that the vessel is moving through is hindering or hazardous in any way.

Hindering or hazardous terrain will often have a Scale of its own, this represents the maximum scale of vessel that can traverse that terrain safely.  If a ship equal to or less than the scale of the hazard, then the ship suffers no penalties.

Bridge Positions, Combat Tasks and Minor Actions

In any given turn, any character can attempt a single Task and several Minor Actions. Unlike in Personal Combat, however, the kinds of Tasks that a character is likely to perform is limited based on their position on the ship, and different officers will be given access to different systems as befits their positions.

Minor Actions

These Minor Actions are common to Starship operations. A character can still perform other personal combat Minor Actions as necessary.

  • Interact – The character interacts with an object in the environment.
  • Change Position – The character moves to any other station on the bridge, or other location on the ship to take charge of that station. If the character is moving elsewhere on the ship, they arrive at their intended location at the start of their next turn.
  • Prepare – The character prepares for or spends time setting up for a Task.
  • Raise / Lower Shields (Tactical Only) – The character raises or lowers the ship’s Shields.
  • Restore – The character performs the minor repairs and adjustments necessary to restore a system after disruption or minor damage.

Tasks

A character can normally attempt a single Task during each turn, but as with Personal Combat, they may also perform a second task via the use of Determination, Momentum or Leadership.

The following Tasks can be performed by any character during Starship combat, regardless of their role. Personal Combat tasks may also be attempted where relevant, such as when repelling borders.

  • Assist – Perform an activity that will grant an ally advantage. During the nominated ally’s Task, the character provides assistance as normal for assisting in a Task.
  • Create Advantage – With a Difficulty 2 Task check, the character attempts to create a favorable circumstance that benefits their side. Depending on how this is being done, the Ship may assist this Task.
  • Pass – The character chooses to not attempt a Task. If the character takes no Minor Actions, then the character does not count as having taken a Turn, and may act later in the round instead.
  • Ready – The character declares that they are waiting for a particular situation or event to occur before attempting a Task. When this triggering situation occurs, the character interrupts the acting character’s turn to resolve the readied Task. If the triggering situation does not occur, then the readied action is lost.
  • Other Tasks – A range of other Tasks might be performed in a combat. Circumstances or objectives might dictate that the character needs to repair or disable equipment, for example, or to perform other activities that don’t relate to the fighting.
  • Override – The character overrides the controls of another role. The character may attempt a Task from any other role other than commanding officer, but increasing the Difficulty by one due to sub-optimal controls.

Positions and Specific Tasks

The most important Tasks attempted during starship combat are reserved for characters at particular positions, which are both a physical location and a set of accompanying responsibilities.

These positions are:

  • Commanding Officer – The CO makes the decisions based off information available
  • Helm – The Helmsman is the pilot of the ship and is responsible for all Tasks that require the ship’s movement and maneuvering
  • Navigator – The navigator is in charge of plotting the ship’s course and determining the spatial conditions that would affect the ship along its course.
  • Sensor Operations – Sensor operations, usually handled by a Science Officer, are used to control the many and varied external sensor systems used to scan planets, spatial phenomena, other vessels and others. It also covers interpreting and analyzing that information.
  • Security Monitor – This station covers all matters of internal security, such as containment fields, deployment of personnel and internal sensors.
  • Tactical Systems – This station covers the operation of weapons and shields.
  • Communications – This station covers all incoming and outgoing communications, including encryption and decryption of messages.
  • Internal Systems Control – This station covers any miscellaneous monitoring and control of internal systems such as damage control, transporters and life support.

Each of these positions are given anywhere from three to six unique Tasks that fall under their purview. To go over each of them here would be huge (and potentially spoil all the goodness) but I’ll detail one to give people an idea:

Helm Tasks

  • Maneuver – The flight controller uses the ship’s thrusters to adjust position and moves to anywhere within Medium range.
  • Impulse – The flight controller uses the ship’s impulse engines to adjust position and move to anywhere within Long range. This has a Power Requirement of 1.
  • Warp – The flight controller uses the ship’s warp drive to move two or more zones. This has a Power requirement equal to the number of zones to be moved. This represents short bursts of warp speed, rather than longer journeys.
  • Evasive Action – The flight controller moves swiftly and unpredictably, attempting to foil enemy targeting with a Difficulty 1 Daring + Conn Task, assisted by the ship’s Structure + Conn. If successful, until the flight controller’s next Turn, all attacks against the ship, and all attacks made by the ship increase their Difficulty by 1. This has a Power requirement of 1.
  • Attack Pattern – The flight controller takes a course that will make it easier to target the enemy. The flight controller attempts a Difficulty 2 Daring + Conn Task, assisted by the ship’s Weapons + Conn. If successful, until the flight controller’s next Turn, all attacks made by the ship reduce in Difficulty by 1 (to a minimum of 1; if already at 1, then gain one bonus momentum instead). This has a Power requirement of 1.
  • Ramming Speed – the flight controller chooses a single enemy vessel or other target within Long range, and moves towards them at full speed. This is an attack, requiring a Difficulty 2 Daring + Conn Task assisted by the ship’s Engines + Conn. This Difficulty increases by 1 for every range category beyond Close the target is. If successful, the attack inflicts a number of [CD] damage equal to 2 plus the ramming ship’s Scale, with the Spread and Vicious 1 effects, and the Devastating quality. However the ramming ship also suffers a number of [CD] damage equal to the target’s Scale, with the Spread and Vicious 1 effects, and the Devastating quality. This has a Power requirement of 1.

Making an Attack

Making an attack with a ship has the following steps:

  1. The attacker chooses the weapon system they plan to attack with, usually between energy weapons or torpedoes
  2. The attacker then nominates a viable target. If the attacker is attempting to target a specific system, then the chosen system should be declared here.
  3. The attacker attempts a Control + Security Task, assisted by the ship’s Weapons + Security, with a Difficulty of 1 for Energy Weapons, and 2 for Torpedoes. If a specific system is chosen, increase the Difficulty by 1. In addition, if the target is not in optimal range, the Difficulty in crease by a further +1 for each range band outside the optimal range.
  4. If the Task is successful, then the attack inflicts damage. If a specific system was not targeted, then roll on the System Hit Table to determine which system was hit.

Damage and Repairs

Damage is determined with the following steps:

  1. Roll the number of [CD] for the attack’s damage rating. The total rolled is the amount of damage that the attack inflicts.
  2. If the target has any Resistance dice such as those from Cover, roll those and add them to the static Resistance that the ship has. This counts as the ship’s total Resistance to that attack.
  3. Reduce the total damage by one for each point of Resistance. If one or more points of damage left over, then the ship loses one point of Shields. The ship may also suffer one or more Breaches to the system struck, if any of the following conditions occur (if more than one condition happens, each one causes a breach)
    1. If the ship suffers five or more damage from a single attack, after reduction from Resistance.
    2. If the ship is reduced to 0 Shields by that attack
    3. If the ship had 0 Shields before the attack and the attack inflicts one or more damage.

The effect of a Breach to a system varies depending on the system that was hit, and how many Breaches the system has already suffered. For each System, a breach has an immediate impact, a short-term penalty such as being unable to use that System for a Turn. Then if the number of Breaches suffered to that system exceeds certain Thresholds, the ship suffers additional penalties as well.

Breaches

This is the table of bad news

Depending on the number of Breaches suffered, a System may be Damaged, Disabled or Destroyed. Each of these are detailed in the book, and none of them sound particularly pleasant.

For an example,  here are the descriptions for Structure Damage:

  • Impact – Whenever the Structure System suffers one or more Breaches, the entire ship shudders, power conduits rupture, consoles explode, and personnel are hurled around. Roll 1[CD]; if an Effect is rolled, then a random character on the ship (PC or important NPC) has been Injured (PCs may Avoid the Injury as normal). These Injuries are considered to be Lethal. for NPC ships, suffering one or more Breaches to Structure means that the ship has one fewer turn during the next Round (this is not cumulative)
  • Damaged – The vessel suffers fires and/or minor hull breaches somewhere on the ship, forcing the area to be evacuated and sealed off. This makes it more problematic to reach parts of the ship in need of repair, increasing the Complication Range of all Engineering Tasks to repair Systems by 2. This also reduces the ship’s Resistance by 1. The Difficulty to repair this is 3.
  • Disabled – The vessel has suffered many fires and serious hull breaches, as well as sections losing life support. The extreme disarray of the ship makes it extremely difficult to perform repairs, increasing the Complication range of all Engineering Tasks to repair the ship by 3, and the Difficulty of all Engineering Tasks to repair the ship by +1. This also reduces the ship’s Resistance to half (rounding down) its normal value. The difficulty to repair this (including the penalty from this damage) is 5.
  • Destroyed – With hull breaches across the ship, fires rating, and life support systems failing, the ship is crippled. The ship’s Resistance is 0, Tasks to repair other systems on the ship can no longer be attempted during combat, and the ship may not move except by thrusters, as rapid movement might tear the ship apart. Subsequent hits to Structure affect the Engines System instead.

Repairing Damage

If a ship has been damaged, Tasks can be attempted to try and repair the damage. These aren’t full repairs, but a skilled engineer can re-route around damaged systems and create impromptu solutions.

I’m glad that Starship Combat takes off from the Personal Combat rules, as it helps to be using similar systems for similar tasks. That said, the addition of Positions for officers, and damage rules for specific systems adds a lot of flavor for the cost of more complexity.

Currently I’m of two minds on this. One, is that I actually like the mechanics as presented. There’s a lot of it that makes sense in terms of simulating the Star Trek experience. On the other hand, there’s really a lot of it to take in to the point that this could be intimidating to some groups.

There’s definitely some payoff to playing the full mechanics however, as it does it’s very best to give you the full Star Trek Ship-to-Ship combat experience, including hurling bodies around and exploding consoles.

Do I still like it? Definitely, but I will understand if people start feeling that this is a bit too much.

Next entry, we’ll be tackling the last bit of Chapter 9 with a look at Starship Construction and Alien Vessels!